A cult favorite Marvel villain has lastly gotten his personal tv display, a single that deftly balances humor and uncooked emotion. Time travel stirs the plot, when undercard characters from extensive-overlooked back again troubles enjoy pivotal roles. It is a single of the most first comic reserve diversifications at any time to hit the display screen, and it presents a tantalizing glimpse at the whole probable of Marvel’s impending multiverse. I am conversing, of course, about M.O.D.O.K.
Ok, yes, Loki also matches that invoice. But probabilities are you’re already watching that, or at the very least knowledgeable of it. Which is good! The a lot more Tom Hiddleston the improved. Hulu’s M.O.D.O.K., a madcap end-motion spectacle produced by Patton Oswalt and Jordan Blum, is a deeper lower. It is really also an work out in burning down the timelines Loki‘s TVA is seeking desperately to fix—one that could spark a new innovative resurgence.
What is M.O.D.O.K.? Well, so, bear with me. The identify stands for Mental Organism Designed Only for Killing he’s generally a large cranium with a teensy torso and extremities who will get close to in a flying chair. He first confirmed up in comics in the late nineteen sixties, turned a typical foil for Captain The united states, and is commonly involved with Advanced Notion Mechanics, a criminal group that would like to overtake the globe with fancy devices. M.O.D.O.K. can blast electricity beams from his brow, accesses an assortment of weapons from his chair, and is a single of Marvel’s most absurd creations. Which is saying one thing.
To that conclusion, M.O.D.O.K. is also not somebody most likely to display up in the Marvel Cinematic Universe appropriate. He’s also outrageous, even next to a trash-conversing raccoon and monosyllabic tree-creature. But M.O.D.O.K. the display leans all the way into that ridiculousness. It fills out his globe, imagining him as not only a failed nemesis but a flailing spouse and father. It is as unapologetically violent and profane as it is sentimental, as most likely to give an whole episode to an sick-fated heist as it is to familial reconciliation. It is just about surely the only televised Marvel home that will at any time characteristic Tenpin, a poor person from the comics who … throws bowling pins. (In the globe of M.O.D.O.K., Tenpin does not even have these he pawned them and lives out of his vehicle, which does not run.)
If it is not already abundantly obvious, this is not a display for anyone. It is Infinity War by way of Adult Swim, and it rewards a wholesome appreciation for comics esoterica. In addition to Tenpin you get significant doses of C-listing supervillains like Armadillo, Arcade, and Angar the Screamer. And that’s just before you even get to the Easter eggs, which would get repeat viewings and an encyclopedic awareness of Marvel lore to completely clock.
Not remaining for anyone, though, is the whole point. Compared with Loki and The Falcon and the Wintertime Soldier and all the huge tentpole movie releases of the earlier 13 many years, M.O.D.O.K. exists outdoors the MCU. It has no fascination in or obligation to the continuity that binds collectively the dozens of several hours of canonical Marvel movies and Television exhibits that preceded it. It has not been formed by studio notes or had its rough edges sanded down in pursuit of mass appeal. The only Avenger to so considerably as make a credited appearance in M.O.D.O.K. is Iron Male. M.O.D.O.K. phone calls him a “wet bitch.”
The events of M.O.D.O.K. unspool in its place in the Marvel multiverse. Precisely, on Earth-1226 the motion pictures and Disney+ sequence generally get position on Earth-199999, and the comics are established in but an additional fact. That multiverse—where various realities take place simultaneously and at times intersect—has extensive been a staple of Marvel comics and is foundational to its cinematic potential. Spider-Male: Into the Spider-Verse explored it in 2018. WandaVision brought it into the principal timeline previously this yr, and Loki is laying the groundwork for a broader splintering that will enjoy out in theaters over the next numerous many years. (This is neither spoiler nor speculation the upcoming slate practically involves Doctor Peculiar in the Multiverse of Insanity.)
At its finest, the multiverse allows exploration and experimentation, primarily once you split loose from the gravitational pull of the canon. That’s M.O.D.O.K., a gloriously self-contained experience.
Which all appears remarkable, but also a minimal overwhelming. The multiverse unleashes significant entropy on a process that has been tightly managed for a lot more than a ten years. If comics earlier is prologue, that will at worst necessarily mean muddled plots, unsatisfying resolutions, dropped narrative threads, and eventually possessing to blow the entire detail up and begin from scratch. “Heed my warning,” my colleague Adam Rogers wrote previously this yr. “This will conclusion in tears.”
But at its finest, the multiverse allows exploration and experimentation, primarily once you split loose from the gravitational pull of the canon. That’s M.O.D.O.K., a gloriously self-contained experience. It owes nothing to Stage Four of Marvel’s at any time-increasing universe. It does not have to develop infrastructure for potential installments or talk to that you try to remember the wonderful print of the Sokovia Accords. Its only crossover is a wink it enlists Nathan Fillion to voice Surprise Male, many years after the actor’s transient appearance as the exact superhero was lower from Guardians of the Galaxy Vol. 2.